Casa Migrante

Casa Migrante 

His hands are newly large.

He woke up with them yesterday and 

they were his to stare at.

Large quiet hands that don’t yet 

ask or answer questions. 

He shoves them into his pockets 

in the cold cafeteriaglow and curls 

over their generic preciousness 

looks through long lashes to the side 

as his mother relishes! in detail.

He looks neither at her nor away as 

wild and smiling she stands to show the audience

the way the other son was filleted 

like a fish where 

the bullet went in, pokes her finger 

to where her chest says “Yale” 

where Extermination poked a gun into his and 

who is the audience here? he wonders

And the audience takes off a grey wool vest and 

gives it to him gracias a Dios he is 

freezing 

his hands working the snaps and the snaps being the best part. 

His jaw is numb when he tries to move it but 

Go to bed, says the audience. 

Tomorrow the audience will take him again, and his mother 

first to a car that sings “you may find yourself 

behind the wheel of a large automobile” to where he will 

sit on the sidewalk again 

under the tree again 

to wait in line again 

until gracias a Dios 

they cross into prison until 

gracias a Dios one 

day he will no longer be 

patient frozen marble until 

gracias a Dios 

his hands will come out of the pockets and make 

something touch 

someone be warm 

one day again.

Published by Sarah Pacifica Zee

Sarah Pacifica Zee is a prison abolitionist, water protector, and socialist living in New Mexico. She is a former LAUSD teacher, PhD student in American Studies at UNM, and works in Santa Fe. Any opinions expressed here are solely her own and not reflective of any institutions or programs she is affiliated with.

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